CategoryPop Corner

From the sleek R&B and Jazz melodies painting the parallel romantic worlds in The Photograph, to the perfectly selected voice overs and rapid montage in Judas and The Black Messiah, trailers have not only proved to win us over in choosing a film to watch but also offer the potential to stand the test of time as their own art forms.
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From the sleek R&B and Jazz melodies painting the parallel romantic worlds in The Photograph, to the perfectly selected voice overs and rapid montage in Judas and The Black Messiah, trailers have not only proved to win us over in choosing a film to watch but also offer the potential to stand the test of time as their own art forms.
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“Love him and let him love you. Do you think anything else under heaven really matters?” In his iconic novel Giovanni’s Room, gay author James Baldwin makes a strong statement regarding love.
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“Love him and let him love you. Do you think anything else under heaven really matters?” In his iconic novel Giovanni’s Room, gay author James Baldwin makes a strong statement regarding love.
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There is a popular cultural phenomenon that has assumed significance across the globe. You get a glimpse of the Korean culture and lifestyle as the narrative unfolds in its usually limited series format.
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From the sleek R&B and Jazz melodies painting the parallel romantic worlds in The Photograph, to the perfectly selected voice overs and rapid montage in Judas and The Black Messiah, trailers have not only proved to win us over in choosing a film to watch but also offer the potential to stand the test of time as their own art forms.
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Director Jahmil X.T Qubeka, much like A Quiet Place directs the story of John Kepe with little to no dialogue. A white, liberal journalist recounts and takes us through the chase and trial of the “Native Robinhood”.
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Getting your film into the world and finding your audience is a completely different race that can be the difference between tapping into a whole new network and even the future of your next film.
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I did not have to watch the trailer to know that “The Boy Who Harnessed the Wind.” would be a remarkable film. I was primarily captivated by the title which also became its kryptonite.
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Animation can easily be described as a medium that represents the furthest reaches of imagination. In many instances, it has served as one of our very first encounters with representation that we consume as children and come to love and associate with the deepest nostalgia as adults.
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